guitarist > writer > coder

September 11, 2013
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Flying Saucers and cameras


“We’ve relentlessly outfitted just about everyone with a pocket-sized video camera. And as we’ve done that, the UFOs have stopped visiting us.” – Seth’s Blog


Too lazy to search for the impact that phones (is there any reason to call them mobile anymore?*) have had on, say, the need to explain why a character doesn’t just make a phone call in a thriller – “Oops, no service…” and the clever reversal of that and its dramatic repercussions in the To’hajiilee episode of Breaking Bad – but the disappearance of the non-existent (imho) flying saucer has been dramatic, and seems to have been replaced with our desire to spot the lurking menace amongst us, whether real or imagined, from bombers to the slender man.


*Recently lent my 94 year old neighbour my landline phone when her’s broke and didn’t miss it; it hasn’t been plugged in for the last few years.



September 3, 2012
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Recently watched

Enemy of the State

“Oops”, Ivana Milicevic, Enemy of the State

The Cabin in the Woods – ★★★★☆
– a meta meta “loving hate letter” to the genre (more rewarding the more you know)

Nothing But the Truth – ★★★☆☆

Warrior – ★★★☆☆
– bits of all “those” movies works well

Girl with a Pearl Earring – ★★★☆☆
– slow going, soft spot for Johansson helps

Drive – ★★★★☆
– 9 months after seeing it in N.Y and thinking “Wow, wtf?” it’s still a “Wow”

Man on Fire – ★★★☆☆
– Denzel gets brutal on Mexican cops and kidnappers. If you’re okay with that…

Enemy of the State – ★★★☆☆
– silly, fun


Regarding the ratings…


November 22, 2011
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  • ‘Community’ Creator Fully Aware What We’re Doing Whenever Alison Brie Jiggles | I Watch Stuff
    “I do try many times a season to put Alison [Brie] in a situation, wardrobe-wise, that I know is going to end up as an animated GIF file! I observe that stuff and the way people are consuming it, because I’m a nerd too and I love to obsess about my favorite TV shows.” For example, see: 14 Boob-tastic Alison Brie Animated GIFs
  • xkcd: Money Chart
  • The tragedies at Bow – Vole O’Speed
    “The design disaster of the Cycle Superhighway on this roundabout is clearly seen in these pictures. Large lorries and other vehicles are able, and encouraged by the design, to make a high-speed, low angle left-turn across the blue cycle lane. The potential for tragedy was always here, before the lane was painted, because of the inappropriately wide geometry of the turn and the excess lane widths. A cyclist pursuing a prudent course through this roundabout, in its pre-superhighway state, would not have been on that strip on the left, but in a more central position in the left-hand lane, to be clearer of the possibility of the left-hook and more in the line of sight of drivers.”Both the blue strip and the segregated section of lane on the outer edge of the roundabout that have been provided for cyclists have clearly made a dangerous junction far worse for them.”
  • Ricky Gervais: Is There a Difference Between British and American Humor | TIME Ideas | TIME.com
    “Our brashness and swagger is laden with equal portions of self-deprecation. This is our license to hand it out. This can sometimes be perceived as nasty if the recipients aren’t used to it. It isn’t. It’s play fighting. It’s almost a sign of affection if we like you, and ego bursting if we don’t. You just have to know which one it is.”
  • Why More Than 200 Indie Record Labels Just Bailed on Spotify for Cannibalising Their Money | Gizmodo UK
    “These labels and their artists earn their keep—or sometimes merely their subsistence—by selling physical and digital music to devoted fans all over the world. These labels need to sell records to survive, and unfortunately Spotify only pays a pitance per stream. If a label doesn’t have the reach of a major it’s not going to make anything using the service.”

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November 14, 2011
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  • xkcd: The General Problem
    “I find that when someone’s taking time to do something right in the present, they’re a perfectionist with no ability to prioritize, whereas when someone took time to do something right in the past, they’re a master artisan of great foresight.”
  • Four-decade vigil for MIA Vietnam veteran ends – CBS News
    “In Alabama this weekend, closure came in a flag-draped coffin. After 43 years missing in Vietnam, the recently identified remains of an elite Army Green Beret soldier finally made it home.

    “CBS News correspondent Steve Hartman reports the service marked an end to four decades of uncertainty for Moreland’s friends, family and one totally devoted, total stranger: Kathy Strong.”

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August 14, 2011
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The Pirates

“The Pirate Bay website made money by illegally offering major-label albums, even as music sales declined to less than half of what they were 10 years ago.” The Guardian, Sunday 14 August 2011

I don’t think The Pirate Bay actually offers anything. I think it’s a mistake to compare it to a flea market with stalls selling illegal cd’s or dvd’s. The Pirate Bay is more akin to a bulletin board linking those who have and those who want. Where the products being linked to initially is interesting – what compels someone to buy something and then give it away for free? Especially something they haven’t produced themselves? And if an artist creates something but gives it away, what is the moral position on someone else then giving it away for free?

When newspapers give away DVD’s of films, they must have paid the film companies something. But the consumer gets something for a fraction of what it would have cost to have bought it. “Let Him Have It” is currently on Amazon.co.uk  for around a fiver. But I have a copy from a newspaper that cost me a pound or so. Did the newspaper make up the difference?

A newspaper must have seen that cost as worth it to get me to try their paper, in a way that is similar to an artist giving away something they have created to gain publicity. Cory Doctorow, for example. You can buy his books – which I have – and you can download his books for free – which I have. In some cases I have done both; a copy of his book on my shelf, but a copy on my Kindle to re-read.

But I think it’s a mistake to compare The Pirate Bay to that model. They aren’t a flea market stall selling other people’s books and films for their own gain. They have stepped in between someone with something and someone who wants something, and profit from it. But to say they don’t do it at a cost to themselves is wrong – servers and court costs and time. That all costs. But they must profit from it, or else they would have stopped.

“[The] problem is rampant piracy – unauthorised distribution that doesn’t benefit creators or the companies that invest in them. It also puts pressure on media companies to accept online distribution deals that don’t cover their costs.” The Guardian, Sunday 14 August 2011

What we need is for the people producing what people want to be able to offer a means redistribution that enables them to gain again. They shouldn’t have to accept a means that doesn’t cover their costs, but to ignore finding a solution while they fight those in court who profit from it illegally is a mistake.

“People who illegally download music from the internet also spend more money on music than anyone else, according to a new study.” – Independent, Sunday, 1 November 2009

I believe people who can pay want to pay, and those who can’t never will. You prosecute shoplifters, yes, but you keep prices competitive and reasonable to enable those who want to shop to buy. To punish people who try something for free but who are also potential customers is a mistake. I think that the study that found that some of the biggest pirates are also some of the biggest legal consumers shows that products given away for free in the hope that a consumer will then buy that product in the future is a better approach that locking your product away in DRM.

Steal This Comic

Steal This Comic, XKCD

Ginger Wildheart: The Triple Album Project

Ginger Wildheart: The Triple Album Project

Take The Wildhearts. I first heard them from a friend who have ripped a cd and gave me the mp3’s. I then downloaded a few more albums. And then went on to buy the albums, and see the band live more times than I can remember, and buy t-shirts, and be one of the 2335 people who are funding Ginger’s current Pledge Music project sight unseen (or unheard). Should Ginger (the singer of the Wildhearts) have to give away his music for free? No. He needs to earn a living. But should he worry about someone illegally giving away a copy of the cd for free once we have all paid for it and it has been produced? I think not. For all the illegal downloads there is publicity and potential new fans. Not everyone of them, but then I don’t buy every albums of every artist I hear on the radio. But the ones I hear that I like and do I think would prefer I became a future fan than having the music they created be securely locked down and unheard on the off chance that one day I randomly decide to pay the full price and give them a try.

Subhumans, Underworld, Camden

We just need to find different means of linking those who want and those who create. And I hope that the film studios who pay directors and actors and sound engineers step up and find a better way of doing that then letting sites like The Pirate Bay do that instead. If we can get a film or TV show or album from them instead as easily and effortlessly as we can from The Pirate Bay, then illegal sites may always exist, but I think they will become irrelevant. I can’t remeber the last time I swopped mp3’s with someone. Now I send them a Spotify link – a service I pay for, although I understand that the artists gain a fraction of what they could from an album sale from Spotify, but have faith – I go to your gigs and buy t-shirts.

How much do music artists earn online?

By the way, I wrote this in response to the Guardian article “How the internet has all but destroyed the market for films, music and newspapers“. I pay to receive the Guardian (and Observer) daily on a Kindle. And it doesn’t come with a free DVD.