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May 16, 2012

EastEnders RPG

Eastenders RPG
Daftness inspired by NerdRepublic’s Jon Harris



Sean Slater: We’ll bury him alive.

GM: What are you using?

Sean: The shovel of B&Q!

GM: Roll 1d8

Sean: a 3…

GM: After over three hours of sweat and toil you have dug a pit in the back garden the size of a Nissan Micra.

Tanya Branning: We’ll throw Max in.

Max Branning: I’m putting up a fight!

GM: You’re unconscious. Tanya and Sean, roll 1d10 each.

Sean: A 5.

Tanya: 6.

GM: You roll Max into the pit, and he lands face down in the muddy water at the bottom with a splash. He makes sucking noises as he begins to drown in the water.

Max: Saving throw?

GM: Roll 2d10…

Max: 38?

GM: In your unconscious mind you see the face of you’re childhood sweetheart welcoming you down a long tunnel that slowly closes in around you.

Max: Crap.

Tanya: We’ll head to the Old Vic!

Sean: And I’ll order drinks.

GM: Roll 2d4…

Sean: 4?

GM: Standing, sipping warm ale at the bar you are struck by the terrifying thought that you left Max drowning in a unfilled hole in your back garden in broad daylight.

Sean: Fuck!

GM: And you’re holding a muddy shovel, dripping with sweat.

Ian Beale: Are the rest of us in the pub yet?

Dot Cotton: And am I still rolling to fix this tumble drier?

Hopefully it’s as obvious that this has nothing really to do with the BBC or TSR as the fact that I’ve never watched an episode of EastEnders.

May 16, 2012

  • How Yahoo Killed Flickr and Lost the Internet
    “Do you remember Flickr’s tag line? It reads “almost certainly the best online photo management and sharing application in the world.” It was an epic humble brag, a momentously tongue in cheek understatement.

    “Because until three years ago, of course Flickr was the best photo sharing service in the world. Nothing else could touch it. If you cared about digital photography, or wanted to share photos with friends, you were on Flickr.”
  • an example of the usefulness of bittorrent for entirely legal purposes – WWdN: In Exile
    “Anyway, my point with this post is to illustrate that the bittorrent protocol is useful for more than just infringement, so when you hear industry lobbying groups making a lot of noise about piracy, you’ll remember that they aren’t giving you all the facts.”
  • The Brixton Pound – Money that sticks to Brixton – B£
    brixton_poundsHow did I not hear about the Brixton Pound till now?

    “The Brixton Pound (B£) is money that sticks to Brixton. It’s designed to support Brixton businesses and encourage local trade and production. It’s a complementary currency, working alongside (not replacing) pounds sterling, for use by independent local shops and traders.”

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May 9, 2012

  • Dropbox Ran Afoul of Apple’s App Store Review Guidelines: So What? :: The Future of the Internet — And How to Stop It

    “Last week, a number of developers reported that Apple was rejecting iOS applications that used Dropbox, a popular cloud file storage and backup system. An initial thread on the Dropbox developers’ forum has led to a outpouring of tech news full of hyperbolic claims. However, none of this reporting has covered the real problem – Apple is now more concerned about protecting its business model than serving its users or its developers.

    The Dropbox rejections are another reminder that iOS developers are entirely dependent on Apple’s whims to reach users inside its walled garden. App rejections can lead to weeks of fixes and months of lost sales. Furthermore, Apple’s review system is non-transparent, the policies violated aren’t public and enforcement is subject to change. Developers can question reviewer rulings, but all of this takes place out of the public eye– hence Dropbox having no idea that apps using its SDK were being rejected till Peuc posted on the forum.”

  • How Can You Tell If Uploading Your Cover Song To YouTube Is Infringing? You Can’t | Techdirt
    It’s likely that a rather large number of the cover song videos uploaded each day are infringing — potentially opening up the uploaders to huge statutory fines for violating copyright law. This is a clear sign of where the law is broken. The law clearly wasn’t mean for these kinds of situations, and it’s easily fixable. Baio makes the point that here’s an easy reform to copyright law that would decriminalize a very common behavior:
    The real question: Why is it illegal in the first place?Cover songs on YouTube are, almost universally, non-commercial in nature. They’re created by fans, mostly amateur musicians, with no negative impact on the market value of the original work. (If anything, it increases demand by acting as a free promotional vehicle for the track.)

    The best solution is the hardest one: To reform copyright law to legalize the distribution of free, non-commercial cover songs.

  • jawj/pigeonsim · GitHub

    “The simulator lets users fly around London in Google Earth by mimicking the motions of a pigeon in front of a Kinect depth camera. The system recognise a number of flying gestures: banking left or right to turn, flapping your arms to gain height and leaning forward to dive. Users can also perform a “beam me up Scotty” gesture by placing one hand on their chest, returning them to the starting point at UCL.”

    c/o nerdrepublic

  • This clip may help you appreciate Beethoven’s 5th Symphony just a little more. [VIDEO]

    5th Symphony VisualizationVisualization of Beethoven’s 5th Symphony is superb.

    c/o al lowe

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May 8, 2012

How Copyright Law Changed Hip Hop

Stay Free!: With its hundreds of samples, is it possible to make a record like It Takes a Nation of Millions today? Would it be possible to clear every sample?

 

Shocklee: It wouldn’t be impossible. It would just be very, very costly. The first thing that was starting to happen by the late 1980s was that the people were doing buyouts. You could have a buyout–meaning you could purchase the rights to sample a sound–for around $1,500. Then it started creeping up to $3,000, $3,500, $5,000, $7,500. Then they threw in this thing called rollover rates. If your rollover rate is every 100,000 units, then for every 100,000 units you sell, you have to pay an additional $7,500. A record that sells two million copies would kick that cost up twenty times. Now you’re looking at one song costing you more than half of what you would make on your album.

 

An interview with Public Enemy’s Chuck D and Hank Shocklee

And more recently:

 
Was Paul’s Boutique Illegal?

 

In all, the album is thought to have as many as 300 total samples. The sampling gave Paul’s Boutique a sound that remains almost as distinctive today as it was when it was released in 1989.
 
Perhaps the main reason—and certainly the saddest reason—that it still sounds distinctive is that a rapidly shifting legal and economic landscape made it essentially impossible to repeat.
 
c/o Kottke.org